![]() ![]() ![]() I have had the luxury of passing my edits off to some very talented mixers in Detroit for the past couple (okay, maybe three) decades. ![]() ![]() Which is exactly why I am hoping to have your concerns and more addressed in this thread. "This has to be uploaded to Dubai in 40 minutes." Among others, don't ask. Losing the edit is a disaster, and you know it happens when the "gotta have it now" factor is running very high and the client is tapping his wrist watch. it was a bad situation!!ĪLLENT: Thank you for raising some valid concerns. that could end in disaster!! I saw it happen in Final cut Pro a few years ago. That speaks volumes to me!! Just something to think about, especially if you get deep into a project, and the stability starts to break down because of scaling up the audio in PP, and then you have big problems. I know ADOBE is really upgrading the audio side of things, but even they are building there own "audio only" program (Audition) to take care of the sound. Have you thought about moving your audio out of PP, and into a dedicated audio program like PROTOOLS (the industry standard) or even AUDITION? I have had a lot of problems with audio in PP, and I am not sure it is really robust enough on the audio side of things to be super stable once you start really pushing it (especially in a full feature situation), i.e. But I wanted to bring to light an audio point in general regarding your question. But to be quite honest I am grabbing the mouse more & more everyday (about 80% of what I do is with the mouse) Just my style I guess. as I have one studio on a larger mixing console, and one smaller 5.1 studio "all in the box" (w/ NO console). Sorry I can't really address you control surface list in too much depth. My budget for a used control surface is $300-400, but I'd be willing to go to $500-600 or more if the features/integration were significantly better. So I guess my goal here is to come up with a list of work/don't work features for each of these control surfaces and more so we can make informed bang for the buck decisions. Documentation of these control surfaces is very thin when it coms to discovering if they are MCU or EUCON protocol (or other) - and even if I was able to discern a flavor I still do not know which features will work in Premiere, such as transport controls, faders, plug-in modifiers, et al. I believe there will be others who will check this discussion looking for the same answers as I. If you have experience with any of these consoles, or have any to add to the list, specifically with Premiere Pro, please leave a note here. Nektar Panorama P1 USB Midi DAW Control Surface.Novation ZeRO SL MkII MIDI DAW Control Surface.Tascam FW-1082 Firewire Control Surface.Tascam FW-1884 Firewire Control Surface.Avid Artist Mix Control 8 Fader Euphonix DAW Mixing Control Surface.Radikal Technologies SAC 2.2 DAW controller.Icon QCon Pro USB Midi Controller Station.Here are some consoles I've looked at but cannot determine compatibility (due to lack of information): Even the Audition folks have not shared much information about experiences with audio control surfaces. I have searched high and low for information from Premiere Pro users but have found very little. I am looking for feedback from those who have used a control surface as well as those who have just looked around. I am buying used so I would sure like to get it right the first time. Chances are that any MIDI system, wherever it came from, would always be playing catch-up with much more developed apps like Reaper - which a lot of Audition users use, incidentally.I am shopping control surfaces for mixing audio in Premiere Pro CC. But the real demand is so small, and it's a lot of work. Since Audition supports third-party developers who can create add-ons for it, then technically there's nothing to stop anybody developing a MIDI system for it. MIDI certainly doesn't feature highly in this scenario, despite a limited number of requests for it.Īudition 3 had a basic MIDI implementation - but it really was pretty basic and wasn't deemed worth spending the effort on to improve it, so it was dropped when the software was fundamentally rewritten to be dual-platform. You have to bear in mind that Adobe, and the CC suite, is fundamentally about pictures and visual stuff - even Audition as it is, is seen as a bit of an add-on - albeit a pretty necessary one. This has been discussed at some length previously, as a forum search will reveal. You can record and edit acoustic music on it, certainly - but MIDI it doesn't do, and certainly won't for the foreseeable future. I'm afraid you can't - Audition is fundamentally editing software, not music creation software. ![]()
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